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" TO DEVELOP CREATIVITY, INNOVATION, LIFE SKILLS, SCIENTIFIC TEMPERAMENT & LANGUAGE SKILLS APART FROM CAREER COUNSELLING AND PERSONALITY DEVELOPMENT” " PLUS TO CATER ALL THE INFORMATION NEEDS OF KVS TEACHERS AND STUDENTS. WE ACKNOWLEDGE OUR SINCERE THANKS TO ALL KNOWN & UNKNOWN CONTRIBUTORS ON WEB, WHERE SOURCE IS UNKNOWN / UNTRACEABLE/LINKED (THIS IS AN ERSTWHILE " KV REWARI LIBRARY BLOG TILL 30.09.2019. " AND KV ITBP BHANU LIBRARY BLOG TILL 30.05.2025.)
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Thursday, 26 June 2025
ROAD SAFETY & CAREER EDUCATION PROGRAMES IN GOVT. SCHOOLS OF HARYANA

Curriculum and handbook of AI is available on CbSE Academic Website. Links are attached herewith
Class IX AI Handbook 2024_26-04-24.docx
cbseacademic.nic.in/web_material/Curriculum21/publication/secondary/Class10_Facilitator_Handbook.pdf
AI_Facilitators_Handbook_VI.pdf
ARTIFICIAL INTELLIGENCE INTEGRATION ACROSS SUBJECTS FOR CBSE CURRICULUM

Copyright issues in Digital Era
The digital era has transformed how we create, share, and consume content—and with that has come a whole tangle of copyright complexities. Here's a quick breakdown of key issues swirling around today:
1. Easy Duplication and Distribution Digital content can be copied and spread globally with a single click, often without the creator's permission. Think music, videos, photos, articles—anything that can go online can be duplicated.
2. User-Generated Content (UGC) Platforms like YouTube, TikTok, and Instagram thrive on user creativity, but they often dance on the edge of copyright infringement when users remix, mash up, or use copyrighted materials without proper licensing.
3. Digital Rights Management (DRM) To protect content, creators and companies use DRM tools. While these guard against piracy, they can also restrict legitimate usage, like making backups or using content across devices.
4. Fair Use Confusion “Fair use” allows limited use of copyrighted material for commentary, criticism, education, and parody, but it’s notoriously vague—and navigating it without legal expertise can be risky.
5. AI and Copyright With AI generating art, text, and music, who owns the final product? And what about the data it's trained on—does that violate copyright if it includes protected content?
6. International Challenges Copyright laws vary wildly from country to country. What’s protected in one nation may not be in another, complicating enforcement across borders.
The digital era has transformed how we create, share, and consume content—but it’s also made copyright protection a lot more complicated. Here are some of the key issues:
Ease of Infringement: Digital content—like music, videos, images, and software—can be copied and distributed globally in seconds. This makes unauthorized use rampant and hard to trace.
Blurred Boundaries of Fair Use: With memes, remixes, and user-generated content flooding platforms, it’s often unclear what qualifies as fair use versus infringement.
Platform Responsibility: Tech companies face growing pressure to monitor and remove infringing content. But balancing this with freedom of expression is tricky.
Global Enforcement Challenges: Copyright laws vary by country, making international enforcement a legal maze.
Emerging Technologies: AI-generated content, NFTs, and blockchain raise new questions about authorship, ownership, and licensing.
Solutions in Play: Tools like digital rights management (DRM), watermarking, and automated content ID systems help—but they’re not foolproof.
Copyright is a legal right that gives creators control over how their original works—like books, music, films, software, and artwork—are used and shared. It protects the expression of ideas, not the ideas themselves.
Here’s the gist:
If you create something original and fix it in a tangible form (like writing it down or recording it), you automatically own the copyright.
This gives you exclusive rights to reproduce, distribute, perform, display, or license your work.
Others need your permission to use it—unless their use falls under exceptions like fair use.
Copyright law officially came into being with the Statute of Anne in 1710 in Great Britain. It was the first law to recognize the rights of authors over their literary works, rather than granting control solely to printers or publishers.
Before that, printing was regulated through royal privileges and monopolies, especially by groups like the Stationers' Company in England. But the Statute of Anne marked a turning point—it aimed to encourage learning by giving authors exclusive rights to their creations for a limited time.
Here’s a handy guide to the dos and don’ts of copyright, especially relevant in today’s digital world:
✅ Copyright Dos
Do ask for permission before using someone else’s work—whether it’s for commercial or personal use.
Do give proper credit to the original creator when using their content, even if it’s allowed under fair use.
Do use public domain or Creative Commons-licensed materials when available—they’re free to use, but still check the terms.
Do register your own original work to strengthen your legal rights and make enforcement easier.
Do keep records of any permissions or licenses you obtain—it’s your safety net in case of disputes.
Do understand fair use—limited use for education, commentary, or parody may be allowed, but it’s not a free pass.
❌ Copyright Don’ts
Don’t copy or share copyrighted material without permission, even if it’s just for a school project or social media post.
Don’t assume everything online is free to use—most content is protected, even if it doesn’t have a copyright notice.
Don’t modify or remix someone’s work without checking if you’re allowed to—it could still be infringement.
Don’t use pirated software, music, or movies—it’s illegal and unethical.
Don’t ignore takedown notices—they’re serious and could lead to legal action if not addressed.
20 Copyright Dos and Don’ts When Dealing With Protected Works
If you're looking to protect your creative work online, there are several powerful tools designed to detect copyright infringement. These tools use technologies like content fingerprinting, reverse image search, and AI-driven pattern recognition to spot unauthorized use. Here are some standout options:
๐ ️ Popular Copyright Detection Tools
Red Points: Specializes in detecting and removing copyright-infringing content across websites, marketplaces, and social media platforms.
ScoreDetect: Offers a suite of tools including content fingerprinting, plagiarism detection, and digital watermarking to monitor and protect your work.
Videntifier: Uses advanced image and video recognition to identify unauthorized use of visual content.
Protection Services: Provides monitoring and takedown services for websites using your content without permission.
Google Reverse Image Search: A free and simple way to check if your images are being used elsewhere online.
These tools are especially useful for creators, educators, businesses, and platforms that want to stay compliant and protect their intellectual property.
๐ Step-by-Step Copyright Registration Process in India
Identify the Type of Work Choose the category your work falls under—literary, musical, artistic, cinematographic, software, etc.
Create an Account on the Copyright Office Website Visit the and register for an account to begin the application process.
Fill Out the Application (Form XIV) Complete the online form with details about the work and the applicant. You’ll also need to upload a scanned signature and a copy of the work.
Pay the Fee Submit the prescribed fee online. The amount varies depending on the type of work.
Submit the Application Once submitted, you’ll receive a diary number as proof of submission.
Waiting Period (30 Days) There’s a mandatory 30-day waiting period to allow for any objections.
Examination by the Registrar If no objections are raised, the Registrar examines the application. If everything checks out, the work is registered.
Issuance of Certificate Once approved, you’ll receive a certificate of registration and your work will be entered into the Register of Copyrights.
You can find a detailed guide on the or explore the official for forms and FAQs.
The Copyright Act of 1957 is the primary legislation governing copyright law in India. Enacted on 4th June 1957, it was designed to consolidate and modernize the laws relating to copyright, replacing earlier colonial-era statutes. Here's a quick overview of its key features:
๐ What It Covers
The Act protects original works in categories such as:
Literary works (books, articles, software)
Musical works
Artistic works (paintings, photographs, architecture)
Cinematographic films
Sound recordings
Dramatic works
๐ก️ Rights Granted
It gives creators exclusive rights to:
Reproduce the work
Distribute copies
Perform or display the work publicly
Create adaptations or translations
License or assign rights to others
⚖️ Duration of Protection
For most works: Lifetime of the author + 60 years
For films, sound recordings, and anonymous works: 60 years from publication
๐ Amendments
The Act has been amended several times to keep up with technological changes, most notably in 1994 and 2012,
๐ค What Happens When You Upload Content
When you upload something online (to YouTube, Instagram, a blog, etc.), you're essentially publishing it to a global audience. If that content includes copyrighted material—like someone else’s song, artwork, or video clip—you could be infringing on their rights.
⚠️ Key Copyright Implications
Unauthorized Use: Uploading copyrighted content without permission can lead to takedown notices, account suspension, or even legal action.
Content ID & Detection: Platforms like YouTube use automated systems to detect copyrighted material. If flagged, your content might be demonetized, muted, or removed.
Fair Use Confusion: Even if you think your use is “fair” (like for education or commentary), it’s not always clear-cut and can still be challenged.
Moral Rights: In some countries, even if you credit the creator, uploading altered versions of their work can violate their moral rights.
✅ Best Practices
Use original content or works licensed under Creative Commons.
Always credit the creator and check the license terms.
Consider using royalty-free libraries for music, images, and video.
If in doubt, get written permission or a license.
For a deeper dive into these issues, you can check out this or this .
You can read the full article titled "Issues in Digital Copyright" on . It offers a comprehensive look at how digital technology has reshaped copyright law, covering:
The rise of online piracy and its impact on creators
Challenges with enforcement across borders
The role of Digital Rights Management (DRM) and AI-powered monitoring
Legal frameworks like the Digital Millennium Copyright Act (DMCA)
The importance of Creative Commons licensing and public awareness
Emerging tech like blockchain and virtual reality in copyright protection
๐ What Is Creative Commons Licensing?
Creative Commons licenses allow creators to:
Let others use their work with conditions (like giving credit or not using it commercially).
Choose from six main license types, ranging from the most open (CC BY) to the most restrictive (CC BY-NC-ND).
Even dedicate their work to the public domain using CC0, meaning no rights reserved.
You can explore the full range of licenses on .
๐ฃ Why Public Awareness Matters
Despite its benefits, many people still don’t understand how CC licensing works. That’s where public awareness comes in:
Educators and students can legally use CC-licensed materials in classrooms and projects.
Artists and creators can collaborate more freely and build on each other’s work.
Governments and institutions can promote open access to knowledge and culture.
In India, organizations like Wikimedia India and the Centre for Internet & Society are actively working to raise awareness and promote the use of Creative Commons in education and public policy.

Implementation of "Miyawaki" Forest drive in Kendriya Vidyalayas
Ek Ped Maa Ke Naam 2.0
เคเค เคชेเคก़ เคฎाँ เคे เคจाเคฎ 2.0
https://ecoclubs.education.gov.in/
เคเค เคชेเคก़ เคฎाँ เคे เคจाเคฎ – Eco Clubs for Mission LiFE
In continuation to the office letter dated 29.05.2025 and 09.06.2025, various innovative and
Eco-friendly initiatives under Mission LiFE (Lifestyle for Environment) have been undertaken in
Kendriya Vidyalayas in alignment with the objectives of the National Education Policy (NEP) 2020
and the Government of India's vision for a sustainable development and green future.
As already aware, the KVs are participating in "EK Ped Maa ke Naam 2.0" campaign
launched on 5th June, 2025 at the occasion of World Environment Day. In this series of initiatives
one such impactful initiative would be the development of Miyawaki Forests, a method of creating
dense, native forests in a short span of time, even within limited urban spaces. This technique
Involves planting a variety of indigenous species in close proximity, encouraging rapid growth
and the formation of self-sustaining ecosystems. Even an area as small as 1,000 sq. ft. can be
effectively utilized for this purpose. Miyawaki forests mimic natural woodlands with multiple
.
layers of vegetation-canopy, sub-canopy, shrubs, and groundcover-and require care such as
watering and weeding only for the initial 2-3 years. The initiative significantly contributes to
enhancing biodiversity, improving air quality, and sensitizing students to environmental
conservation.
Further, in view of improving the green areas and their environmental significance
for KVs it is requested -
To identify KVs in the region that have spare area within the school campus for starting
The project of "Miyawaki" Forest. It is pertinent to mention that any land already earmarked
for future expansion of the school building or sports infrastructure, should not be identified
for the project. Preference should be given to the KVs having land 10 acres or more.
To involve all the stakeholders and mobilize resources through local partnerships, NGOs,
or parent-teacher associations (PT As), if required for the project of Miyawaki.
To instruct the Principals to register the "Eco Clubs for Misson LiFE" of their
vidyalayas on website ofhttps://ecoclubs.education.gov.in/ and upload the data of
Ecoclubs in the prescribed format on the portal before 31stAugust, 2025.
To direct the Principals to initiate a plantation drive in the Vidyalaya and achieve
the target by 31st July, 2025.
This initiative will not only beautify the school premises but also serve as a living
laboratory for ecological and environmental education. The list of identified KVs where the
Miyawaki can be implemented should be submitted in the Google sheet attached by 27.06.2025.

Wednesday, 25 June 2025
Library details -2025-26
Library Committee: 2025-26
Library Statistics: -
Total No. Of Books: - 11874
No. of Books Weeded out: - 5999
Language wise collection
Hindi Books 2625
English Books 2194
Punjabi Books 51
Sanskrit Books 72
Text Books 614
Reference Books 247
Other Books 29
No. of News Papers 04
Hindi
Newspapers: 2
English
Newspapers: 2
No. of Magazines
subscribed 26
Hindi
Magazines: 12
English
Magazines: 14
No. of Books Purchased
2024-2025
282
Hindi Books 85
English Books 86
Text Books 111

CBSE New Exam Policy : Two Board Exams in 2026 for Class X
TWO BOARD EXAMS SCHEME - CLASS X ( 2025 - 26 )
SCHEME_BOARD_EXAMS_POLICY_25022025.pdf
Notification_Two_Board_Examinations_Class_X_2026_25062025.pdf

Tuesday, 24 June 2025
READING PROMOTION WEEK -I JULY 2025
REFERENCES TO READ ON SWAMI VIVEKA NANDA
FIRST DAY TRAINING ON RASHTR KO AAHWAAN
EACH CLASS WILL BE DIVIDED INTO THREE GROUPS
LEVEL -1- LSRW N-I:
CLASSES -I-V ABC
Classes VI & VII ABC
Where the reader is with a sweet, but audible voice, accurate, and correct pronunciation
LEVEL 2- COMPREHENSION
Classes VI-VIII - ABC
Is also able to comprehend the meaning of text read from a book
LEVEL-3 LSRW N-II
Classes XI- A B
Is also able to understand the meaning beyond text or speech.
ACTIVITIES
- READ VIVEKANANDA BOOKS: READ: THREE BEST FROM VI-VIII-9
- BOOK REVIEWS ON HIS BOOKS: WRITE: THREE BEST FROM VI-VIII-9
- SWAMI VIVKANAND CHICAGO SPEECH: SPEECH: THREE BEST FROM VI-VIII-9
- SWAMI VIVKANAND POSTERS / SLOGANS/COMPREHENSION: MAKING: THREE BEST FROM VI-VIII
- SWAMI VIVEKANAND GETUP/ LISTENING: IMITATE HIM FROM THE MOVIE: THE THREE BEST
Power of Youth - Swami Vivekananda Message for Youth
IF YOU WANT TO KNOW INDIA, READ ONE PERSON- SWAMI VIVEKANANDA.
เค เคฎेเคฐिเคा เคे เคฌเคนเคจो เคเคฐ เคญाเคเคฏो,
เคเคชเคे เคเคธ เคธ्เคจेเคนเคชूเคฐ्เคฃ เคเคฐ เคोเคฐเคฆाเคฐ เคธ्เคตाเคเคค เคธे เคฎेเคฐा เคนृเคฆเคฏ เค
เคชाเคฐ เคนเคฐ्เคท เคธे เคญเคฐ เคเคฏा เคนै। เคเคชเคो เคฆुเคจिเคฏा เคी เคธเคฌเคธे เคช्เคฐाเคीเคจ เคธंเคค เคชเคฐंเคชเคฐा เคी เคคเคฐเคซ เคธे เคงเคจ्เคฏเคตाเคฆ เคฆेเคคा เคนूं। เคเคชเคो เคธเคญी เคงเคฐ्เคฎों เคी เคเคจเคจी เคी เคคเคฐเคซ เคธे เคงเคจ्เคฏเคตाเคฆ เคฆेเคคा เคนूं เคเคฐ เคธเคญी เคाเคคि-เคธंเคช्เคฐเคฆाเคฏ เคे เคฒाเคों-เคเคฐोเคก़ों เคนिंเคฆुเคं เคी เคคเคฐเคซ เคธे เคเคชเคा เคเคญाเคฐ เคต्เคฏเค्เคค เคเคฐเคคा เคนूं।
เคฎेเคฐा เคงเคจ्เคฏเคตाเคฆ เคुเค เคเคจ เคตเค्เคคाเคं เคो เคญी เคिเคจ्เคนोंเคจे เคเคธ เคฎंเค เคธे เคฏเคน เคเคนा เคि เคฆुเคจिเคฏा เคฎें เคธเคนเคจเคถीเคฒเคคा เคा เคตिเคाเคฐ เคธुเคฆूเคฐ เคชूเคฐเคฌ เคे เคฆेเคถों เคธे เคจिเคเคฒा เคนै। เคฎुเคे เคเคฐ्เคต เคนै เคि เคฎैं เคเค เคเคธे เคงเคฐ्เคฎ เคธे เคนूं เคिเคธเคจे เคฆुเคจिเคฏा เคो เคธเคนเคจเคถीเคฒเคคा เคเคฐ เคธเคญी เคो เคธ्เคตीเคाเคฐเคจे เคा เคชाเค เคชเคข़ाเคฏा เคนै।
เคนเคฎ เคธिเคฐ्เคซ เคธाเคฐ्เคตเคญौเคฎिเค เคธเคนเคจเคถीเคฒเคคा เคฎें เคนी เคตिเคถ्เคตाเคธ เคจเคนीं เคฐเคเคคे เคฌเคฒ्เคि เคนเคฎ เคตिเคถ्เคต เคे เคธเคญी เคงเคฐ्เคฎों เคो เคธเคค्เคฏ เคे เคฐूเคช เคฎें เคธ्เคตीเคाเคฐ เคเคฐเคคे เคนैं। เคฎुเคे เคเคฐ्เคต เคนै เคि เคฎैं เคเค เคเคธे เคฆेเคถ เคธे เคนूं, เคिเคธเคจे เคเคธ เคงเคฐเคคी เคे เคธเคญी เคฆेเคถों เคเคฐ เคงเคฐ्เคฎों เคे เคชเคฐेเคถाเคจ เคเคฐ เคธเคคाเค เคเค เคฒोเคों เคो เคถเคฐเคฃ เคฆी เคนै।
เคฎुเคे เคฏเคน เคฌเคคाเคคे เคนुเค เคเคฐ्เคต เคนो เคฐเคนा เคนै เคि เคนเคฎเคจे เค
เคชเคจे เคนृเคฆเคฏ เคฎें เคเคจ เคเคธ्เคฐाเคเคฒिเคฏों เคी เคชเคตिเคค्เคฐ เคธ्เคฎृเคคिเคฏां เคธंเคोเคเคฐ เคฐเคी เคนैं, เคिเคจเคे เคชเคตिเคค्เคฐ เคงाเคฐ्เคฎिเค เคธ्เคฅเคฒ เคो เคฐोเคฎเคจ เคนเคฎเคฒाเคตเคฐों เคจे เคคोเคก़เคเคฐ เคंเคกเคนเคฐ เคฌเคจा เคฆिเคฏा เคฅा เคเคฐ เคคเคฌ เคเคจ्เคนोंเคจे เคฆเค्เคทिเคฃ เคญाเคฐเคค เคฎें เคถเคฐเคฃ เคฒी เคฅी।
เคฎुเคे เคเคธ เคฌाเคค เคा เคเคฐ्เคต เคนै เคि เคฎैं เคเค เคเคธे เคงเคฐ्เคฎ เคธे เคนूं เคिเคธเคจे เคฎเคนाเคจ เคชाเคฐเคธी เคงเคฐ्เคฎ เคे เคฒोเคों เคो เคถเคฐเคฃ เคฆी เคเคฐ เค
เคฌ เคญी เคเคจ्เคนें เคชाเคฒ-เคชोเคธ เคฐเคนा เคนै।เคญाเคเคฏो, เคฎैं เคเคชเคो เคตैเคฆिเค เคฎंเคค्เคฐों เคी เคुเค เคชंเค्เคคिเคฏां เคธुเคจाเคจा เคाเคนूंเคा เคिเคธे เคฎैंเคจे เคฌเคเคชเคจ เคธे เคฏाเคฆ เคिเคฏा เคเคฐ เคฆोเคนเคฐाเคฏा เคนै เคเคฐ เคो เคเคฐोเคก़ों เคฒोเคों เคฆ्เคตाเคฐा เคนเคฐ เคฆिเคจ เคฆोเคนเคฐाเคฏा เคाเคคा เคนै: เคिเคธ เคคเคฐเคน เค
เคฒเค-เค
เคฒเค เคธ्เคฐोเคคों เคธे เคจिเคเคฒी เคตिเคญिเคจ्เคจ เคจเคฆिเคฏां เค
ंเคค เคฎें เคธเคฎुเคฆ्เคฐ เคฎें เคाเคเคฐ เคฎिเคฒเคคी เคนैं, เคเคธी เคคเคฐเคน เคฎเคจुเคท्เคฏ เค
เคชเคจी เคช्เคฐเคตृเคค्เคคि เคे เค
เคจुเคฐूเคช เค
เคฒเค-เค
เคฒเค เคฐाเคธ्เคคा เคुเคจเคคा เคนै। เคตे เคฆेเคเคจे เคฎें เคญเคฒे เคนी เคธीเคงे เคฏा เคेเคข़े-เคฎेเคข़े เคฒเคें, เคชเคฐ เคธเคญी เคฐाเคธ्เคคे เคญเคเคตाเคจ เคคเค เคนी เคाเคคे เคนैं।
เคตเคฐ्เคคเคฎाเคจ เคธเคฎ्เคฎेเคฒเคจ เคो เคि เคเค เคคเค เคी เคธเคฌเคธे เคชเคตिเคค्เคฐ เคธเคญाเคं เคฎें เคธे เคนै, เคीเคคा เคฎें เคฌเคคाเค เคเค เคเคธ เคธिเคฆ्เคงांเคค เคा เคช्เคฐเคฎाเคฃ เคนै: เคो เคญी เคฎुเค เคคเค เคเคคा เคนै, เคाเคนे เคตเคน เคैเคธा เคญी เคนो, เคฎैं เคเคธ เคคเค เคชเคนुंเคเคคा เคนूं। เคฒोเค เคाเคนे เคोเค เคญी เคฐाเคธ्เคคा เคुเคจें, เคเคिเคฐ เคฎें เคฎुเค เคคเค เคนी เคชเคนुंเคเคคे เคนैं।
เคธांเคช्เคฐเคฆाเคฏिเคเคคा, เคเค्เคเคฐเคคा เคเคฐ เคนเค เคงเคฐ्เคฎिเคคा เคฒंเคฌे เคธเคฎเคฏ เคธे เคเคธ เคธुंเคฆเคฐ เคงเคฐเคคी เคो เค เคชเคจे เคถिเคंเคों เคฎें เคเคเคก़े เคนुเค เคนैं। เคเคจ्เคนोंเคจे เคงเคฐเคคी เคो เคนिंเคธा เคธे เคญเคฐ เคฆिเคฏा เคนै। เคिเคคเคจी เคฌाเคฐ เคนी เคฏเคน เคงเคฐเคคी เคूเคจ เคธे เคฒाเคฒ เคนुเค เคนै। เคिเคคเคจी เคนी เคธเคญ्เคฏเคคाเคं เคा เคตिเคจाเคถ เคนुเค เคนै เคเคฐ เคจ เคाเคจे เคिเคคเคจे เคฆेเคถ เคจเคท्เค เคนुเค เคนैं।
เค เคเคฐ เคฏे เคญเคฏाเคจเค เคฐाเค्เคทเคธ เคจเคนीं เคนोเคคे เคคो เคเค เคฎाเคจเคต เคธเคฎाเค เคเคนीं เค्เคฏाเคฆा เคเคจ्เคจเคค เคนोเคคा, เคฒेเคिเคจ เค เคฌ เคเคจเคा เคธเคฎเคฏ เคชूเคฐा เคนो เคुเคा เคนै। เคฎुเคे เคชूเคฐी เคเคฎ्เคฎीเคฆ เคนै เคि เคเค เคเคธ เคธเคฎ्เคฎेเคฒเคจ เคा เคถंเคเคจाเคฆ เคธเคญी เคนเค เคงเคฐ्เคฎिเคคाเคं, เคนเคฐ เคคเคฐเคน เคे เคฆुเคों เคเคฐ เคธเคญी เคฎเคจुเคท्เคฏों เคे เคฌीเค เคी เคฆुเคฐ्เคญाเคตเคจाเคं เคा เคตिเคจाเคถ เคเคฐेเคा।......SOURCE
PM SHRI KV
OCF SECTOR 29- CHD
Reading Promotion Primary- 2025-26
LSRW-
LISTENIG –SPEAKING – REASDING – WRITING
CT WILL GIVE NAMES BY 31-JULY 2025
Sl 9 |
Class |
Section |
Activity |
Traits – |
NAMES OF STUDENT |
Remarks by CT |
1 |
1 |
A |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
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|
2 |
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|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
3 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
4 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
5 |
1 |
B |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
6 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
7 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
8 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
9 |
1 |
C |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
10 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
11 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
12 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
13 |
2 |
A |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
14 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
15 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
15 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
16 |
2 |
B |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
17 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
18 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
19 |
2 |
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
20 |
|
C |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
21 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
22 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
23 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
24 |
3 |
A |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
25 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
26 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
27 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
28 |
3 |
B |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
29 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
30 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
31 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
32 |
3 |
C |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
33 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
34 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
35 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
36 |
4 |
A |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
37 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
38 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
39 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
40 |
|
B |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
41 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
42 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
56 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
45 |
|
C |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
46 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
47 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
48 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
49 |
5 |
A |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
50 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
51 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
52 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
53 |
|
B |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
54 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
55 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
56 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
57 |
|
C |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
58 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
59 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
60 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
|
|
TOTAL |
60 |
|
|
|
*FOR R – IN
ENGLISH –
Any other
languages-
Its
knowledge of
Vowel –
consonants- phonetics.
In Place of
Swar -Vanjan–Marta
...........................................................
PM SHRI KV OCF SECTOR 29- CHD
Reading Promotion SECONDARY - 2025-26
LSRW C- LISTENIG –SPEAKING – REASDING
– WRITING – COMPREHENSION
CT WILL GIVE NAMES BY 31-JULY 2025
Sl 9 |
Class |
Section |
Activity |
Traits – |
NAMES OF STUDENT |
Remarks by CT |
1 |
6 |
A |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
2 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
3 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
4 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
5 |
|
|
C |
COMPREHENSION |
|
|
6 |
6 |
B |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
7 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
8 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
9 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
10 |
|
|
C |
COMPREHENSION |
|
|
11 |
6 |
C |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
12 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
13 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
14 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
15 |
|
|
C |
COMPREHENSION |
|
|
16 |
7 |
A |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
17 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
18 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
19 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
20 |
|
|
C |
COMPREHENSION |
|
|
21 |
7 |
B |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
22 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
23 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
24 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
25 |
|
|
C |
COMPREHENSION |
|
|
26 |
7 |
C |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
27 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
28 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
29 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
30 |
|
|
C |
COMPREHENSION |
|
|
31 |
8 |
A |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
32 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
33 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
34 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
35 |
|
|
C |
COMPREHENSION |
|
|
36 |
8 |
B |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
37 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
38 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
39 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
40 |
|
|
C |
COMPREHENSION |
|
|
41 |
8 |
C |
L |
CONTEXT- PROCESS-GIVES FEEDBACK |
|
|
42 |
|
|
S |
AUDIBLE – SIMPLE – TAKE FEEDBACK |
|
|
43 |
|
|
R |
KNOWS -SWAR – VAYNJAN -MATRA |
|
|
44 |
|
|
W |
MAINTAINS HEIGHT-SLANT-
SPACE |
|
|
45 |
|
|
C |
COMPREHENSION |
|
|
|
|
TOTAL |
45 |
|
|
|
